林熺俊(b. 1960)
學 歷
中原大學室內設計研究所碩士
國立台灣師範大學美術系
現 任
專職藝術創作
高苑科技大學建築系助理教授
曾 任
1.教育部公共藝術審議委員
3.國家文化藝術基金會藝文環境與發展審議委員
4.高雄市公共藝術審議委員
5.交通部公共藝術審議委員
6.高雄市文化藝術基金會董事
7.高雄市現代畫學會理事長
8.高雄藝術聯盟會長
9.高雄城市光廊計劃主持
近年展歷
2018
廣卅藝術博覽會
廣卅設計週
台南國際環境藝術節
高雄市現代畫學會歷屆理事長創作展
視象/當代 郭博州 ,林熺俊繪畫雙個展—2013藝術空間
創作動能八人展---中國廣州大新美術館
2017
詩性空間的穿越個展---新思惟人文空間
後形黑色流變八人展—高苑科技大學藝文中心
北京中央美院藝術介入空間的美學實踐策略研討會
台灣高雄氣爆案公共藝術邀請比件
2016
廈門當代藝術兩岸交流展
高雄國際藝術博覽會
創作理念
林熺俊的作品,從多重時空交錯匯聚,並經由其建構畫面的意向,形成獨特的結構與秩序。以空間結構的色彩線條,呈現與當下不同的獨特語彙。畫面中隱約可見創作者內心對於自然崇尚的山水樣態,同時也在畫面中尋找空間結構的延展可能。
Lin, Hsi-Chun(b. 1960)
Educational Background
Master of Interior Design of Ching Yuan Chirstian University
Bachelor of Fine Art of National Taiwan Normal University
Present Position
Full-time art creation
Assistant Professor of Department of Architecture of Kao Yuan University
Former Position
1. Public Art Review Committee of the Ministry of Education
3. National Culture Art Foundation and Art Environment Development Review Committee
4. Kaohsiung City Public Art Review Committee
5. Public Art Review Committee of the Ministry of Communications
6. Director of Kaohsiung Culture and Art Foundation
7. Chairman of the Kaohsiung City Modern Painting Society
8. President of the Kaohsiung Art Alliance
9. Kaohsiung City Urban Spot Light Gallery Project Hosted
Recent Rrsume
2018
Guangzhou International Art Fair
Guangzhou Design Week
Tainan International Urban Art Festival
Kaohsiung City Modern Painting Society's previous directors' creative exhibition
Shì xiàng/modern Joint exhibition of Guō Bó-Zhōu , Lin, His-Chun Painting at 2013 Art Space
Group Exhibition of Creative kinetic energy at Daxin Art Museum in Guangzhou, China
2017
A crossover exhibition of poetic space --- Sincewell Gallery
The Black Rheologic of CAV ------ Art Space in Kau Yuan University
Seminar on Aesthetic Practice Strategy of Art Intervention Space of Beijing Central Academy of Fine Arts
Public Art Invitation of Taiwan Kaohsiung Gas Explosion
2016
Xiamen Modern Art Cross-Strait Exchange Exhibition
Kaohsiung International Art Fair
Creative Concept
Lin, His-Chun evince a unique structure and order through the consolidation of multiple time and space dimensions. The construct in which his creation is predicated upon is the spatial structure that sets a unique tone - aberrating from the present. In the art piece, the creators vision of nature is subtle yet defined, and the extension of spatial dimensions is further perpetuated in the workings.
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