日帝藝術HELIOS GALLREY

Jun 01 Fri 2018 16:44
黃耀锌黃舜廷雙人展展出作品閱覽

黃耀锌黃舜廷雙人展展出作品閱覽

http://zoeart213.pixnet.net/album/set/16258376

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個人分類：歷屆展覽

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Jun 01 Fri 2018 16:29
黃耀鋅 HUANG YAO HSIN (b.1979)

黃耀鋅 HUANG YAO HSIN (b.1979)

1979生於台灣台北

學歷

2006 大葉大學造藝系繪畫組畢

1998 復興商工美工科繪畫組畢

相關經歷:

2013 活生生十五年後多媒材創作聯展籌備整合與策展規劃 789養機場桃園

2013 現在.之後聯展策展規劃 A8咖啡藝文空間台北

2013 {綠圈圈夏日藝術季}(千人一ㄚ馬路塗鴉活動) 舞台設計與塗鴉台中草悟道

2012 《2012台灣燈會在鹿港書法藝術燈區-元素與創造》鹿港，彰化，台灣

2012 《2012台灣燈會在鹿港南燈區-神來之筆》鹿港，彰化，台灣

2011 二檔-其實也沒這麼有趣三人展策展規劃北風藝廊台北

2009 (一檔) 三人創作展策展規劃北風藝廊台北

工作經歷:

2008~2012 鞋類商品規劃設計伯諾集團

2007~2008 布偶公仔設計瑞凰公司

2003~2006 藝術家涂維政工作室兼職助理

藝術駐村

2017 奔放藝術村崇明島中國上海

Yao Hsin Huang

1979 Born in New Taipei City, Taiwan

TEL: +886916920943

E-mail:onigima22@yhaoo.co.tw

Education

2006 Graduated from Department of Plastic Arts, Da-Yeh University,

BA (Hons) Plastic Arts at Changhua, Taiwan

1998 Graduated from Fu-Hsin Trade & Arts School, Yonghe, Taiwan

Curating

2013 《Living lively 15 years later》

Curating, 789 Gallery, Taoyuan

2013 《Transition》

Curating, A8Cafe, Taipei

2013 《Live with Arts. It’s good for you- Come and Draw it!》

Stage design and graffiti, Taichung Calligraphy Greenway

2012 《2012 Lantern Festival in Lukang Art Zone- Elements and Creation》

Lukang Township, Changhua County , Taiwan

2012 《2012 Lantern Festival in Lukang Sounthern Zone- A Master Stroke》

Lukang Township, Changhua County , Taiwan

2011 《Second Gear- It’s not that interesting actually》

Curating, BF Gallery, Taipei

2009 《First Gear》

Curating, BF Gallery, Taipei

Experience

2008~2012 Shoe/Trainer designer

2007~2008 Doll designer

2003~2006 Artist, Assistant of Tu, Wei-Cheng

Artist-in-Residence

2017 OPEN&FUN Art Village, Chongming Island, Shanghai China

個展

2018雙個展刻意拼裝日帝藝術台北

2017個展末日探勘台灣藝術公司高雄

2016 個展末日.想像雙個展好思當代Haohaus 台北

2014 個展奇時同曝藝大利藝術中心　台北

2010 個展 Chee~se(起士人之死) 黑白切第二市場台中

2005 (破百)個展大葉大學設院藝廊彰化

聯展

2018 福爾摩沙藝術博覽會好思當代Haohaus 台北

2018 蜉島破視徒聯展 107畫廊台中

2018 流/變藝術駐村作品展同濟大學奔放藝術村上海

2018 生深然骨強塗鴉藝術展透視藝術台北

2018 新竹藝術博覽會好思當代Haohaus 新竹

2017 補牆計畫索卡藝術台北

2017 福爾摩沙藝術博覽會好思當代Haohaus台北

2017 現實與虛幻的空間述說好思當代Haohaus 嘉義

2017 青紅皂白展好思當代Haohaus 中國天津

2017 當我們畫再一起藝術櫥窗最終章藝大利藝術中心台北

2016廣東藝術博覽會好思當代Haohaus 中國廣東

2016 白晝之夜藝術帳棚設計台北

2016 當代一年展花博爭豔館台北

2016漾藝術博覽會駁二藝術特區高雄

2015 台北國際玩具創作展華山藝文特區台北

2015 漾藝術博覽會駁二藝術特區高雄

2015 約你妳又不來 789養雞場桃園

2014 藝術家博覽會新光三越 A8館台北

2014 現在.之後聯展織織人67藝文空間高雄設計節高雄

2013 +-30度破視徒聯展福利社視盟台北

2013 藝術家博覽會紙廠 1918加工間台北

2013 活生生十五年後多媒材創作聯展 789養機場桃園

2013 現在.之後聯展 A8咖啡藝文空間台北

2013 自由視界二十號倉庫台中

2012 藝術家博覽會松山文創園區台北

2012 倉庫藝博會二十號倉庫台中

2012 超榮鋅破視徒聯展 a CHI藝術空間台北

2012 旅行的開端聯展 Z書房台中

2011 二檔-其實也沒這麼有趣三人展北風藝廊台北

2011 BORN BOOM!新銳藝術家聯展 CMP BLOCK 台中

2010 敷.面.膜創作聯展金車藝術空間台北

2010 “破視徒”創作聯展視盟藝文展覽空間台北

2009 (CARDINAL NUMBER) 劉哲榮.黃耀鑫.王鼎超三人展北風藝廊台北

2009 (一檔) 黃耀鑫.劉嘉明.簡明宏三人創作展北風藝廊台北

2007 新一代設計展塗鴉大賽入選展台北世貿

2007 (新SHOW聯展) 彰化員林立庫彰化

2006 九校畢業聯展-(迷走城市) 華山藝文特區台北

展覽精神場域.精神堡壘(號誌樹)設計製作

2004 (各說各畫)-接力展大葉大學設院藝廊彰化

2003 (藝意非凡)聯展大葉大學外語藝廊彰化

Solo Exhibitions

2018 “Deliberate Appropriation” Duo-Solo, Helios Gallery, Taipei

2017 “Doomsday exploration” ARTCCI, Kaohsiung

2016 “Doomsday • Imagination” Duo-Solo, Haohaus, Taipei

2014 “Different Periods” at the E.D.LEE GALLERY, Taipei

2010 “Chee~se” ( Death of Cheese-man)” at the 2nd Market Exhibition of black and white, Taichung

2005 "Posts 100" at the Art Gallery of Da-Yeh University, Changhua

Joint Exhibitions

2018 “2018 ART FORMOSA, Haohaus, Taipei

2018 “The Isle of Ephemera: Post-individual Artists”, 107 Gallery, Taichung

2018 “FLOW/FLUX”, Tongji University, OPEN&FUN Art Village, Shanghai

2018 “Graffiti art exhibition”, Visionary Art Center, Taipei

2018 “Art Hsinchu”, Haohaus, Hsinchu

2017 “The Traversal Project” SOKA ART, Taipei

2017 “2017 ART FORMOSA”, Haohaus, Taipei

2017 “The Apatial Narration Between Reality And Fiction”, Haohaus, Chiayi

2017 “Indulgence”, Haohaus, Tianjing, China

2017 “When we draw together again- final chapter of the art window” at the E.D.LEE GALLERY

2016 “Art Canton 2016”, Guangdong, China

2016 “Nuit BlancheArt Tent”, Taipei

2016 “Taiwan Annual”, Taipei Expo Park, Taipei

2016 “Young Art Kaohsiung 2015” , the pier-2 Art center, Kaohsiung

2015 “TAIPEI TOY FESTIVAL 2015”, Huashan1914 Creative Park, Taipei

2015 “Young Art Kaohsiung 2015” , the pier-2 Art center, Kaohsiung

2015 “I Asked you, but you didn’t come” 789 Gallery, Taoyuan

2014 2014 Artist Fair Taiwan, SHIN KONG MITSUKOSHI Xinyi place A8, Taipei

2014 “Transition”- 2015 Kaohsiung Design Festival, 67 Textile Studio, Kaohsiung

2013 “<±30°>: Post-individual Artists”, FreeS Art Space, Taipei

2013 2013 Artist Fair Taiwan, The Paper Mill 1918, Taipei

2013 “Living Lively 15 Years Later”, 789 Gallery, Taoyuan

2013 “Transition”, A8Cafe, Taipei

2013 “Free Vision”, Stock20, Taichung

2012 2012 Artist Fair Taiwan, Songshan Cultural and Creative Park, Taipei

2012 Back Yart, Stock20, Taichung

2012 cháo jung hsing- postmodern, a CHI Art Studio, Taipei

2012 “The beginning of the Trip”, Z Space, Taichung

2011 “Second Gear- It’s not that interesting actually”, BF Gallery, Taipei

2011 “BORN BOOM! Cutting-edge artists joint exhibition”, CMP BLOCK, Taichung

2010 “Apply. Face. Mask” King Car Art Space, Taipei

2010 “Post-individual Artists, Art Space of Association of the Visual Arts, Taipei

2009 “CARDINAL NUMBER”, BF Gallery, Taipei

2009 “First Gear”, BF Gallery, Taipei

2007 “new SHOW”, Yualin Railway Barn, Changhua

2006 “Lost in City”, Huashan1914 Creative Park, Taipei

The spirit of the field. Spiritual bastion (Signal Tree) design

2004 "Apples and Oranges”, at the Art Gallery of Da-Yeh University, Changhua

2003 “Arts means extraordinary “, Art Galley of Foreign Languages at Da-Yeh University, Changhua

創作概述/作品風格

Art Creation Overview/ Style

在各個不同時期的創作裡，想像力的轉化一直是創作時最大的視覺表現。而生活中各種的經驗，無論視覺、聽覺、閱讀，甚至是各種事件的體驗與反思，都可能成為創作中的靈感來源，並在經由大腦的咀嚼、消化、融合過後，創作出不同時期的作品。

因為各時期所關注的方向，讓媒材及表現形式上經常會依創作方向變動。但近幾年創作方向最大的影響，則是在創作(破百)系列時，經由長時間觀察、閱讀、思考所產生的心得式的圖像創作，讓我逐漸的了解並開始認同這些主流媒體及社會大眾極少去關注的各項重要議題；因此創造出許多自己的圖像符號，也累積了許多的紙本作品。

而在2012年，也是決定離開職場邁向全職創作的時間點，隨著末日預言在世界各地所產生的騷動，加上未來即將踏上全職創作的不確定感，讓我開始妄想著末日來臨的真實性。就像是期待末日發生的異常心態，安逸於平凡生活卻又在心底妄想著異常的發生，因此這些妄想就開始實現在我對末日平凡渡過之後，卻或許不那麼平靜的真實未來，開始這一系列的創作。

雖然未來會發生的事誰都無法預料，而對於未來我們當然有無限想像的權利，但我個人認為，或許未來的軌跡似乎有跡可循。看著過往歷史的演進與現實世界的景象，這種對未來的”想像”，或許可能成為一個真實的”預言”，也可能會成為下一個令人恐慌的末日預言，但卻又不一定會發生。而這些對於未來憶測所創作出來的荒謬圖像，也成了我自己對未來的預言景象，傳達了我對當下現狀所延續的未來假想。

這幾年的創作形式，設計領域的經驗也影響了末日系列創作所呈現的風格及形式。尤其是此系列最主要的黃框，帶來了視覺感極強的呈現方式；運用繪畫媒材的差異與黃框營造出的空間假象，希望表現出黃框對主題思想的框架性、腦內妄想的具象化、以及無法與現實合拍的衝突感，並試著結合複雜且重複的背景圖像，來述說著主題隱喻或待解的種種意涵。

In all the different periods of creation, the transformation of imagination has always been the greatest visual performance in creation. Life in a variety of experience, regardless of visual, auditory, reading, and even the experience and reflection of various events, may be the source of inspiration in the creation; and which creates different periods of works after the chewing, digestion, fusion through the brain.

The medium and form of creation often change according to the direction of concern in each period, but in recent years the greatest impact for my creation was in the Pots series. This kind of experiential image creation through a long-term observation, reading and thinking, let me gradually understand and begin to identify these important issues that mainstream media and the public rarely pay attention to. Therefore, I didn’t only create a lot of my own symbols and but also accumulated a lot of paper works.

In 2012, was also the time point I decided to leave the workplace to set foot on full-time creation, along with the prophecy of doomsday stirred in the rest of the world, coupled with the uncertain future as a full-time artist. Altogether, let me start imagining about the authenticity of doomsday. It is like an abnormal mind looking forward to doomsday while living comfortably in the ordinary life, but in deep inside my heart dreaming the unusual occurrence. So, after doomsday was just another normal day, but perhaps the real future is not so calm, these delusions began to appear in my series of creation.

Although everything that will happen in the future cannot be expected, and for the future we certainly have unlimited imagination, but I personally think that perhaps the trajectory of the future seems to be traceable. Looking at the evolution of past history and the current situation of real world, this kind of "imagination" of the future may be a true "prophecy" and may also be the next horrifying doomsday prophecy, but not necessarily happen.

In recent years, the experience of the design field also affected the style and form of “the Doomsday series”. In particular, the most important yellow frame in this series, has brought a strong sense of visual presentation. Hope the use of the of the drawing medium difference and the space illusion created by a yellow frame to show the framework on the theme thinking, the concretization of brain delusion, and the conflict with reality; Also, try to combine complex and repetitive background images to describe the subject metaphor or the meaning of the solution to be solved.

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個人分類：藝術家簡歷

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May 17 Thu 2018 13:45
李政勳曾冠雄開幕花絮

李政勳曾冠雄開幕花絮

http://zoeart213.pixnet.net/album/set/16258370

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個人分類：畫廊花絮

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May 11 Fri 2018 15:43
李政勳.曾冠雄雙人展

躾 Shitsuke

李政勳 Li Cheng Hsun

李政勳 Triangles No.2. Acrylic on wood 70X70X5 cm 2018

獨角劇 Solo Drama

曾冠雄 Tim Tseng

曾冠雄女孩與骨2 油彩畫布 89.5x130 cm 2017 60P

李政勳 Triangles No.2 70X70X5 cm Acrylic on wood 2018 (上圖)

曾冠雄女孩與骨2 油彩畫布 89.5x130 cm 2017 (下圖)

5 .08 / 5 .31

Opening 5.12 (Sat.)15:00

李政勳 (b.1985) 國立台北教育大學藝術與造型設計研究所藝術創作組

躾 Shitsuke

躾是日文的漢字，中文翻譯為修養之意，而在創作的路上，不斷在精進的一件事，誠實的作品總能反映創作者的狀態，所以創作者就必須不斷的修行進步，才能去提升自己的作品，這次展覽將會展出這段時間的狀態，在增加與捨棄間游移選擇，透過不斷的勞動，在幾何的世界中繼續發現一些新的可能。

曾冠雄 (b.1987) 中國文化大學美術研究所

獨角劇 Solo Drama

蝴蝶、骷髏和麻雀，它們在作品裡的互動與佈局，並不存在於現實生活裡，屬於自身的幻想，將虛幻具體化進而衍生的荒謬劇場。這些非日常的型態，充斥著唯美與怪誕並融的氛圍。人對於存在恐懼著卻也需要恐懼來平衡存在，而存在的恐懼，涵括了寂寞、安全感、生理與心靈。直到最後我們都說不出可怕的是生命的終點，還是因為存在能體驗恐懼的此時此刻？

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